Hey folks! So I'm working on an instrumental rock album, with drums, bass, the whole she-bang. I'll wait here for a moment while some of you do double takes at your computer monitor.
Okay, here's the story about this little project, and I'll try to be as brief as possible. In early 2006, my friend Bruce was playing in the house band with the Blue Man Group. He and a couple of other Blue Man peeps decided to form an instrumental band called Experiment In Terror, and they played a weekly house gig for a few months. Unlike a lot of instrumental bands, they weren't strictly surf and/or rockabilly, but rather a mish-mash of whatever they felt like playing, while still being predominantly guitar-driven. They were fantastic. A few months later, during the summer of '06, I had my own house gig at Castro's as you may recall. You also might remember that I had some sort of lung/throat irritation that went on for most of the summer, making each gig an endurance test (for myself AND the audience!). I remember envying the guys in Experiment In Terror, since they could still do their gigs regardless of colds or allergies or a dose of SARS or whatever the hell I was fighting. By the way, a neti pot turned out to be just what the doctor ordered. Or rather, it was what the doctor would have ordered if the makers of neti pots were in the habit of treating doctors to golf vacations the way the pharmaceutical companies do, but that's another rant...
My aforementioned friend Bruce loaned me a bass in early 2007, since he didn't want to lug it with him to Florida, which is where the Blue Man organization was nice enough to relocate him when the Toronto version of Blue Man Group was boycotted to death by some petty political bullshit. That too is another rant.
Anyway, I now had the ability to record bass parts. We own a Mac. Apple computers come with a recording program called Garageband, and it's waaaaay cool. The drum loops are incredibly realistic, in fact I've listened to major label bands on the radio a few times recently, and recognized some of the drum sounds as being the same as the ones Garageband provides. And recording directly into the computer means that I can work on guitar parts any time, day or night, since solid body electric guitars don't make much noise without some sort of amplification, in fact they're quiet enough that I can record a guitar part and the only really audible sound is coming through my headphones. Also, I have at least 200 songs with no lyrics, and parenthood has severely restricted my lyric-writing opportunities. Not that I'm complaining, I'd much rather play with our toddler than wrack my noodle trying to come up with a rhyme for "antidisestablishmentarianism" or whatever.
Last autumn we moved to within a couple of blocks of Glenn Gould's childhood home. There's a historical plaque in front of the house that gives a brief recap of his career, including his refusal to perform live for the last couple of decades of his life, since he felt that the recording studio produced superior sonic results over the concert stage. Walking past that plaque three or four times a week to pick up groceries was the final kick in the arse that the universe served up. Anyway, if you want to check out this new project, which has been christened That Satisfying Crunch!, I've set up a MySpace page, complete with audio of the first five completed songs. It would be somewhere around here: http://www.myspace.com/thatsatisfyingcrunch And for those of you who still want your folkpunk fix, fear not, there's another album of that stuff slowly coming together too.